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These Paintings
Seem To Have A Soul
By Deborah
Sisson
Michael Hensley
created a book before he started to paint some of his masterpieces-a
book of detailed and exquisite anatomy. Each muscle, each limb of
the human body is rendered in the utmost detail and accuracy. Hensley
knows how each muscle works, how each looks when still or when in
movement. After he finished his book, he moved onto canvas to create a
museum-quality painting of more than one hundred figures, all
anatomically correct, all beautifully rendered and all in one massive
room-size painting.
The time
Hensley spends on his work is indicative of his philosophy and that of
his family's gallery.
Hensley
gallery opened in Connecticut in 1960 and moved to Taos in 1966. The
gallery began with only three artists-Jackson Hensley, Vladimir
Bachinsky and Janus Annus. All three still exhibit with the gallery.
Most of the
20 artist's with the Hensley's today work in the style of the old
masters-spending years on each piece, starting with studies and
drawings, watercolors and preliminary sketches, before moving onto oils
on linen. The works are beautifully done, the time and heartfelt
passions of each artist are obvious at a glance. But a simple glance
will never do-each of these works is worth hours of inspection and many
of the artists are already represented in museums all over the country.
Hensley
Gallery is of the old school. It is somber, a little dark and gloomy,
yet at the same time welcoming-calm and quiet. The paintings reach from
floor to ceiling and the frames on many of them are as exquisite and
ornate as the oils themselves. The Hensley's have a full library of art,
philosophy, literature books, opera and classical music echo subtly
throughout the massive rooms "Art is something people strive for and
work hard at," says Michael Hensley "it is not something that is
randomly knocked out in half an hour." "You do as best you can and
history will take care of the rest," Hensley said.
Gustav
Rehberger has received international acclaim for his paintings and
drawings of the human figure done in a classical style. As a painter and
well-known teacher of art, he stresses the presentation of man as an
integral part of nature.
Rehberger
uses a Baroque, driving, whirling movement involving all parts of the
composition in total activity. He harnesses explosive forces and pulls
them together in dynamic paintings.
Hensley
calls Rehberger one of the greatest draftsmen to ever live and said he
has been compared quite often to Michelangelo. His drawings are
beautiful, sensual and energetic and he is a master of the human form.
Jackson
Hensley, Michael's father, has had numerous one-man shows and over two
hundred gallery group shows all over the country. His paintings are in
over two hundred private collections, including museums and
corporations. His oils are massive, and the frames are as beautiful as
the paintings. He has either designed or created each frame himself, and
the appear to be about a foot wide all the way around.
Ben Stahl,
a quite wealthy and famous artist, also shows with the Hensley's. Stahl
did very well by opening the "Famous Artist School" perhaps the
country's largest correspondence art school. Stahl a Florida resident in
the 1960's, also created the "Museum of the Cross" in Florida in
1965 to house his famous series of 14 religious paintings entitled "The
Stations of the Cross". That same year, all the paintings were stolen,
an estimated $1.5 million worth of merchandise-and they have never been
recovered.
Stahl now
shows some more impressionistic work with the Hensley's. His paintings
are reminiscent of the French school, both in subject matter and in
style, Michael Hensley said.
Since
painter Alan Wolton came to the United States eight years ago, he has
been with the Hensley Gallery. His bold, impressionistic
landscapes are large, colorful and light. The Hensley's have 220 of his
paintings, which they rotate throughout the year.
"Is a joy
in being able to bring the awe of God's creation to a finite
setting, like in a canvas," says Wolton. "My subject matter allows me to
take people out of their domestic environments and place them in the
rugged outdoors."
Vladimir
Bachinsky, one of the gallery's original three artists, paints
surreal canvases, and he has painted murals and ceilings in cathedrals
and many Greek orthodox churches all over the United States. His surreal
work is moving, but his religious work is so much more-it is powerfully
potent.
Artists who
take pride and time with their work, who put in years of effort and
personal passion, are unusual in today's world of "marketable" art.
"The
finished paintings have more personality," said Michael Hensley. "Unlike
others that have no warmth, nothing personal". The Paintings at Hensley
Gallery, shall we say, seem to have a soul.
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